Ever since Sam Phillips stuffed some wads of paper into an amplifier, inadvertently creating the fuzzed-up, overdriven electric guitar sound on Ike Turners 1951 rave-up "Rocket 88," pop musicians and producers have turned happy accidents into great records. But the history of house and techno, in particular, is underpinned with fits of serendipity and creative perversions of recording technology.
http://www.wired.com/wired/archive/10.05/blackbox.html
Friday, April 12, 2002
Popular Posts
-
...These measures, based on the US Digital Millennium Copyright Act (DMCA) give far too much power to publishers, at the expense of individu...
-
The concept of dragons was probably brought to Japan around 2,000 years ago, along with the technology for paddy agriculture. Their images h...
-
Finally went out and picked up a Nintendo Wii. My god the thing is fun. Ridiculously, ludicrously fun. Hiyat and I had to tear ourselves...
-
Here's my (edited) journal entry for this event dated 12/01/98: Wow. I just sessioned and started reading "The Tao of Physics...
-
His system, he said, starts with a laser that sends part of its beam into photo detectors which produce electrical signal that feed back to ...
-
The challenge of having the United States as a neighbour was one of the topics discussed Tuesday during a meeting with Mexican President Vic...
-
Someone that gets it. Service-oriented software, when done correctly in a platform-agnostic way can be flexible, cheap, and can motivate m...
-
...why was this given the file name of skyfall?... Certain information, while not specific as to target, gives the government reason to beli...
-
When it comes to buying equipment, think g, not b. New 802.11g hardware is nearly five times faster than 802.11b gear, and it will interoper...
-
This edition provides a prose rendering of The Epic of Gilgamesh, the cycle of poems preserved on clay tablets surviving from ancient Mesopo...